Cribbing from the Master
- Tony Gentry
- Dec 30, 2023
- 2 min read
Updated: May 17, 2024
Thanks to our phones, all of us are photographers now, and that means we carry with us, all the time, a tool to make pictures that are more than just snapshots or selfies. Your phone can’t do everything a Nikon can; maybe you don’t have the talent or dedication of a professional, but by visiting gallery shows, perusing coffee table books, maybe reading thoughtful essays by critics like John Berger or Susan Sontag or Geoff Dyer, maybe some of it begins to wear off on you. Maybe you find yourself looking a little more closely, and occasionally surprising yourself with an interesting image.
All that said, here’s a list of photographic strategies I noted (Notes app on phone) at a gallery show of black and white pictures by Lee Friedlander visited last July. This droll documentarian of American townscapes is a master at framing shots using split-screens, juxtapositions, mirrors, shadows and, well, for instance:
Close up versus distant people to shrink one of them
Mirrors to show different view
Rear view mirrors
Open car door, its window a frame
Split a person with a vertical pole
Pole as deceptive focal point
People going opposite directions on either side of divider
Poster plastered wall plus blank wall
Maybe with an arrow
Squared geometry of receding buildings
Glamorous poster juxtaposed with dowdy maid in window
Partial words on wall (woe) comments on image
Hole in wall as frame for image
Window reflection and other side of slit what it’s reflecting off kilter
Elongated shadow of pole as divider
Wallpaper patterns
Distant pyramid paired with street sign triangle
Tilted poles like arrows in ground
Piles of junk paired with church
Do all of these tricks in one photo
Ad on poster framed in bedroom window
TV screen image as comment on room
Patterns, diagonals, squares
Chain link fence as screen
Empty picture frame hung on chain link fence
Back of head not face
Multiple shadows
Shadow of photographer looming
Nude framed in block of light thru window
The show was fascinating, each photo a puzzle, and collectively a lesson in how our mind’s eye unconsciously guides and shapes what we see (and fail to see). Walking out of the gallery, spent the rest of the afternoon wandering around midtown Manhattan, attempting to snap shots like his. It was fun, one of the year’s more memorable afternoons. And here’s my favorite Friedlanderish picture, of a barber shop in the 30s:

Lagniappe: Check out this New Yorker article about Vivan Maier, who died unknown but left a trove of remarkable street photographs.
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